P o e t r y
5 Year Plan
Kirby Vaillant-White
Autism, She
Cassidy Blomberg
Ballet of the senses;
myriad of perspectives—
thoughts runneth over,
still wanting for words.
Faces wax and wane,
in constellations of gray;
nervous and sad melt like
candle wax on unsent letters.
Craves celestial company,
forever late to every party—
no one ever gave her
a timepiece.
Untitled
Andrew Edward Lyons Nolan
She tried to pattern her life like Escher
but it came out an imitation,
like a student of da Vinci doing his best van Gogh.
How many times she painted over,
how many times she played the artist’s part
but she never learned that living
is not like making art.
These woods careen
away from who
you were.
Surveyed, swept
into a lockbox
snapped shut
and catalogued:
monetized.
Away from memories
and raspberry stains
to a hand
you cannot hold,
a palm
balled up.
You are there,
at the edge
of that land
you Knew
was Yours.
Nobody told them
that these hills
were for waiting,
not to sell
to someone
else.
Nobody said, “STOP,
I think she’s still inside!”
They just said
CLICK
when they hung up.
Battles
Casey Garner
My mom was sick — an unrelenting beast of a disease eating away at her abdomen,
worsening day by day, growing weaker by the hour it seemed,
going from walking to limping to wheelchair to bed-bound,
from bathroom runs to the transfer from bed to commode
equating to a climb up and down Everest,
from being independent to calling on me for every little thing,
from hopeful to a fractured state of being.
I would repeat to myself through stifled sobs, “I don’t matter.”
The ache in my soul, grief for the mom I had before cancer struck her
and grief for the impending loss I knew was coming,
the turmoil raging inside over having no control,
my fractured state of being just barely making it through each day
and craving the solace of sleep because, at least there, I could escape my reality,
my emotions on overdrive yet shutdown simultaneously,
the sadness, the fear, the anger — none of it mattered.
I had convinced myself of that.
Nothing could equate to the battle she fought and was losing at an alarming rate.
She was the one with a disease that would kill her.
She was the one forced to confront death far before she was ready.
I was just a daughter scared of losing her mother.
I was a daughter scared of losing her mother.
Big Yellow House
Canthus
Alexandra Dilaura
Alexis Cummings
Here, by the riverside
The rocky shore is
Good for picking
Good for skipping
Here, on the lawn
The birds feed
And the horses neigh
Running on marshmallows of hay
Barns with cars old and new
Scattered fields of flowers
Rows of pine trees create a border
A rope swing is far away
A willow tree stands two houses tall
While morning glories intertwine
The fence along the driveway
In every corner, beauty hides
One of the gardens was a forest
Patches of rhubarb grew amidst the flowers
Monarchs carefully landing
The dogs running through the low leaves
Here, by the riverside
A house was built
A fireplace breathes
Seeds drop from walnut trees
Our Quiet Scars
Austyn Morehouse
We built this house.
We eat watermelon in empty rooms,
spitting seeds across a shooting range
measured by planks in the floor.
We built this house.
We spill barbeque sauce while trying
to make pizza and lick it from each other;
like wild animals, we are free.
We built this house.
We drink our coffee cold. We’re too busy
looking at the other to drink it hot,
admiring the heat of each other instead.
We built this house.
My eyes are the color of the
garden you gave me, watered by
the April showers of tough times.
Flowers come in spring.
We built this house.
Your eyes fell from the stars;
your dreams stayed there,
never to come back down.
Flowers come in spring.
We built this house.
We dance in our underwear
as we pack away our scars,
the scars that don’t scream;
we can walk away from this quietly.
We have never loved
each other more than this moment,
but now this moment has passed.
We sit across from each other
in more April showers.
Flowers come in spring.
We sit on the wrong sides
of the table. Packing our scars
into separate boxes, they scream.
We keep them quiet.
If Christ can move stone to
forgive our sins, why can’t we?
Rip open the scars that scream,
pack them with the dirt of a grave,
you are ready to let them die.
You are ready to plant seeds.
Flowers come in spring.
We don’t wait for healing to find us.
We have risen from the ground
and better damn well act like it.
You water flowers, not leave.
Regrowth happens in spring.
We are spring.
We are spring.
We built this house.
Picture dew crystals
amassed in pierced wisps
beneath me.
Damp air mass
floats amongst pixies,
shining so bright.
Some say dreams
do not become
reality through magic.
They have not dreamed like me.
Picture, in reality,
holding winced eyes.
Crevices of light
spark and puncture the thin way.
Hope pries a way to dream
and here we are,
back in reality.
Cooking is my favorite song
Alexandrea Scarchilli
Low din of
Lyrical conversation
Carries the notes of
Warm radiation
​
Shuffle around
To reach the cooktop
Hips brush past
Spices fall from the rack
​
Crash, zing
Pop and simmer
Plip, plop, plunk
Heat rising
​
Melody of
What’s cookin’
Good lookin
Moves me
​
Hands steady
Chopping block my drum
Notecard paints the
Next step in a waltz
To the icebox
​
Spices harmonize
Sing out aromas
Simple
Sharp and brave
​
No pausing this orchestra
Flow of essence
Fumigates the air
Leaks a playlist
Of flavors
​
Which note do you choose
To savor?
DJs and Bad Days
Hannah Czeladyn
Once they told me
to Just Hold On for
a few more hours
and, sure enough, the sun
came up again. He tells
all his friends, “I’ll
get Back to You,” because
the last thing he wants
is to dance the night
away. She stares at
the Polaroid lying on
her pillow, wishing for
the people she hasn’t
met. Suddenly they convince
themselves they aren’t
going to Live Forever
so a decision is
made. Finally, all the lonely
hearts met at Midnight
for a drink on the bedroom floor.
​
*Italicized words are song titles
Prism
Kelsie Burnard
If his words were a color,
They’d be forest green.
A sound so similar to getting lost with a sense of direction.
A compass to guide you home, but keep you on your toes.
He leans the way the leaves on evergreens do when reaching towards the sun.
Words with remains of gold leaf.
The kind used to repair broken pieces of china
That makes the pieces all the more priceless.
Liquid gold to liquid luck,
Or perhaps the golden hue of a lighthouse beacon
Yet again guiding you home.
And perhaps the way he laughs would be the purest of diamonds.
So crisp.
Sharp.
Reflective of the surrounding world . . .
But certainly not the toughest, there’s a soft side there.
I’ve never seen his smile,
But I’d like to think it’s his favorite color.
A deep blue.
Cliché enough to remind you of the depths of the ocean.
Another thing to get blissfully lost in,
Perhaps even drown in.
And I’d like to think his tears are silver chains.
And I’d like to think he’d be comfortable wearing them around his neck.
That he would take his battle wounds with stride.
That the chains wouldn’t choke him,
But would rest peacefully around his neck . . .
As a symbol of feeling, of allowing, of validating himself.
If he as a whole was a color,
He’d be the entire rainbow.
And I’m honored to be the peaceful cloud resting on his shoulder.
Ice
Katelyn McKeone
Dry
Amanda Donaldson
Dripping down your throat, I watch you take too many sips
Promises fragmented, loyalty consigned to oblivion
A hasty moment of silence precedes tumultuous squalls
Tears smothering pillows, dreadful for the moon sky’s call
Whom, tonight, shall a sliver of peace be afforded?
The bells of salvation may only ring in the morning
When the war is over
And your thirst fleetingly quenched
Her lies are like snowflakes
No one looks past the beauty
No one knows how delicate
How transparent they are
One tap and they’ll melt
Yet no one would dare
Her secrets are unending
She hides under the cover
of her snowflake smile
You’ll slip on her lies
And she’ll watch you
freeze solid
Instructions
Nancy White
Gowpen
Use scissors to disentangle the exam question,
then arrange the pieces in a controversial
shape on the answer sheet. The essay question
requires a scalpel, a starfish, a tank of oxygen,
and two skinny-dippers. Hide the starfish where
the professor won’t be able to find it, someplace
obvious, but first cut off one arm, which the starfish
will notoriously regenerate. Give the teacher an apple
but warn that to eat it will result in an excess
of knowledge and suffering. Make the apple
succulent with vice and juice. Open your mail noisily
during the lecture and toward the end leap up
shrieking I WON! I WON! I WON! I WON!
Embrace the members of the class, your startled
instructor, and declare you still plan to continue
your education even though you’ve been awarded
17 million from Publisher’s Clearing House which,
you announce, is because you love learning for
its own sake, especially now that you are rich.
Alexis Cummings
Seams of toxins
deposit into an impetus rage.
As my words seep
from this picket fence
gated by all unknown.
My words could never
heal the sword pierced in a derm.
We could touch,
and I could crumble.
Crumbles in the clasp of you
and your bearing.
I wallow in the mound
you call your soul.
Clasp shut,
then leave.
Deja vu
When Fear is Near
Alicen Barker
Enjoy the Ride
(Song Lyrics)
Alexandra Dilaura
You’ve gone missing from my mind.
Your face is matching the wanted sign.
It’s got me living in a dream.
It’s one where you’re sight unseen.
Sunkissed by madness
I hoped you hadn’t noticed.
Strange and very unusual
I think you’ll enjoy the ride.
Spinning silhouettes in the moonlight
Similar to the way music box dancers might
Graveyard waltz at the strike of midnight
But I know that with you, it will be alright.
Sunkissed by madness
I hoped you hadn’t noticed.
Strange and very unusual
So you better enjoy the ride.
Cards on the table telling stories
Oracles projecting possibilities
Nightmares when I don’t hear you speak
A future without you, I can’t believe.
Sunkissed by madness
I hoped you wouldn’t notice
Strange and very unusual
Step right on in and enjoy the ride.
Girl-Boy's Boy-Girl
Kirby Vaillant-White
She was the he who knew my she.
She was the grin with dimples carved.
She was the stage, the lights, our cues.
She was the rock candy I couldn’t chew.
She was the moonlit pond, warmer than fog.
She was the Super-Soaker pump.
She was the bandit’s pork-pie, angled.
She was the screaming forest hung with laughter.
She was the hand that clutched the bloodied cloth
long after my nose stopped bleeding.
She was the patch of pink snow at the top of the lift.
She was the ski pole that helped me paint it there.
She was the wind who whipped my crimson grin
when they told me to take the stretcher down.
She was the fort carved from the salted bank.
She was the caged organ’s frothed ache.
She was the sliver cradled deep beneath.
She was the pan that blistered my wrist.
She was the one who held me whole
who saw my tongue
who tasted sweet.
She was the equal weight upon the lever.
She was the warm pulse we both felt
when the door was closed.
She was the original innocence they carved from our pressed palms.
She was.
And somewhere
Is.
The door clicks open
and my flesh writhes
at the anticipated sound.
Can always feel you
before you are ever
near, like figures we
grow comfortable
assuming are
just mundane objects一
until it gets too
dark to see them.
You’ve sat down behind
me and inside me,
coating my throat in
electric sensations creating an
urge to cut out
my tongue lest it
screams and you hear.
I never do much
when you come visit,
but I let my
afternoon tea burn me
as my thoughts and
nerves vibrate and sting.
You never touch me,
but you change my
very molecules with ease.
I try to give you no
space and you still
take a mile from an
inch the sympathetic system
let slip the slightest.
Tomorrow, perhaps,
the inch will close
or you will grow tired
of the trekk to come see me,
but tomorrow will wait
until tomorrow and I
go on in the
time in-between.
Unleash
Amanda Donaldson
I find myself in trammels
as I move my arms about
Where has the night gone?
The dull morning sky meets my desiccated eyes
Pain
Pining
One more circuit. One more plight.
The rush that once propelled my veins
now leaves me bruised
and broken
Poisoned by this scheme, so-called “love”
Enslaved
Come ‘morrow, may I wake in liberation
Earthquakes // Clumsy
Austyn Morehouse
We sing along to songs that bring the night closer,
Erasing the road before and behind,
Racing against street lights and nightlife,
With windows down, we live too loud.
Soft lights flutter across soft eyelids,
Gentle fire, restless flame.
He forgets I am more chaos than cringe,
More time, but not enough days.
We vibrate from caffeine, power, and immortality,
Shaking stars from the sky, quiet apologies.
Lost wishes caught among dangerous daydreams,
He thinks he’s in love with me, but last identity.
Silent prayers of home within the other
Left in forty-two miles of dry field,
Left at two a.m. and a no sleep streak,
Left searching, last seen here.
We slip around curls of asphalt,
Pay no mind to white lines,
Promises made of iridescent white lies,
Masterpiece worth missing, but we won’t.
The car thumps delicacy away from us.
I sing in screams that I am empty,
I can prove it; let me prove it.
Time shivers, no beauty, no blade.
He shakes with my hands, his hands holding mine.
He smiles, a competition with no rules and he is losing.
All we do is shake and scream that we’re stable, ground crumbling under.
Each echo like the stars we shook down and lost and loved.
We sing along to songs that bring the night closer,
Eloquently allowing us to fall into the other,
Clumsy and unprepared, with windows down,
We live too loud and never soft enough.
Flirt with Death, or Despair,
or something else we play
with irresponsibly
Alexandrea Scarchilli
Seductive qualities
Agony waltzes with
Inviting darkness
​
Appeals to suffering
Sorrow sexualizes pain
​
Grief
​
Intrigue repeat
Slinky, familiar,
Struggle within
​
Torment tantalizes
Tugs at strings which hang
Loose from your heart
​
A provocative ache
Lucious sting
Poison inside
Just as the raven sings
Nevermore
​
Call out
As you slip, slide
Deep back into
Calamitous,
Amorous,
Hurtful
Stupid, silly
Selfish
Sin
Her Parents' Land
Kirby Vaillant-White
And so I see how
she sees her land,
this wild roiling, royal stretch
of forest and pasture and one hundred years
of rusting equipment
used until its worth was earned
and spent and earned again.
And now I see how
it’s not hers
in this village of dues and deeds.
She has no stake, no claim to own
these hills who held her in cupped palms
these woods whose branches curled to hold
her to them, weeping for her cries
were theirs to share.
And the diesel wind pelts her with
Conchord grapes and peach pits dripping;
Bearing grease and cracked Mack leather.
She tastes it all as it leaves,
watches it go.
Sweet as summers whose sun bore fruit,
that haunts her even as it grows,
Just down the road
but out of reach.
Hermit Martini
Cassidy Blomberg
Rib Cage
Alexis Cummings
One part: “almost." Two parts: pucker.
1 oz forget-me-not eyelashes
Garnish with your third chakra
and a pocketful of crystals.
Serve chilled with a deck of tarot cards
(make certain every card is The Hermit.)
She says, “drink me slowly,
but then gulp me down.”
I choke on the fucking dog hair
as I reach for another sip.
Presentation of compassion,
Entanglement of contemplation.
The outer-bearings defend
That of the soul.
Keeping my bandage,
Or composure from storms.
I’m told to open up,
But you are here for a reason,
Right?
Open to surroundings,
Butterflies are released from captivity.
Do you see?
Do you see me?
Swat the butterflies,
Swat the birds,
For they were hidden for years.
What’s their use,
Useless of you,
Entanglement in a cage
Of all thoughts.
The Puppet Master
Zoe Malone
so much to say
so much happens
it starts with a kiss
it always does
a kiss to make you
weak in the knees
with a stomach
full of butterflies
but that’s not love
strength is
a puppet master
cannot love
it starts when he
asks to propose
a month after you meet
and disappears
when you want to wait
comes back with a yes
doesn’t want to wait
continues to pull strings
with two things he twists
his ankle, and me
a pawn in his game
to get to the queen
so i can go with him
just to see a doctor
he feigns fear of
he borrows hundreds
he can’t pay back
not without a job
something he doesn’t have
he tells secrets
but keeps one
he turns truths
says he can’t recall
that’s false, he knows
thirteen is too young
and he is aware
his disbelief of my truth
changes, as my truth
turns to a lie
i told him my father
committed suicide
so if i leave him
this puppet master
will do the same
even has me see
an image in my head
of him, hung by a
string –
one day, it will be
his own strings
to keep him hostage
as he tries to make me
jealous, and loses
my trust – he wants
a fight between girls
just over him, how sweet
two can play that game
and i message my ex too
i’m sorry for my words
they weren’t mine but
the puppet master’s
you are no puppet
so cut those strings
not a puppet, my princess
the puppet master
thinks he wins
as he finally believes
this princess won’t leave
Me (me) - Noun
Alexandrea Scarchilli
Me (me) - noun
Possibly an imaginary creature; see folklore, fairy tale, faerie, pixie, demon
Also related; Eve / Adam and Eve / Aphrodite / Medusa
​
Scarlett hair,
Locks lips with goddesses
​
Medusa misunderstood
Snakes tell secrets
Whisper in her ear
​
Smoke rings rise
Soiree of the times
And the Sultans of swing
Dance away the starry night
​
Commonly seen with bells on her shoes,
Silver rings blink,
Known to walk in the daylight,
Seen howling at the moon
Frontal Lobe
Alexis Cummings
I envision I was amongst all thee.
My apostles and their fellow friends.
I preach in the highest of honors,
Or hope they listen and spread ideas.
Or here,
Take my hand little one,
Oh, little child of mine,
I would guide you to all you will know.
If you conquer hardships in my name,
You will know my love,
Feel my satisfaction, and burn-in gratitude.
Be my angels and I will make this
Heaven, be free and strong,
Away from horrors and temptations.
So,
Come walk beside me,
Take my hand,
We will be alright.
My Sister's Body
Avonlea Stiles
​
**Content Warning: Infant Loss**
My sister’s body is so tiny
She could fit in one hand
And that tiny body had three surgeries
She didn’t live a full day on this earth
And she was too tiny to embalm
So my sister’s body
Bloated
Decayed
And turned to bones
My mother didn’t deserve that
She almost decayed too
But she got up again
And made my other sister’s body
And that body is still surviving twelve years later
And my sister’s body is tall
And covered in warm skin
Full of breath
Alive
And reminding me every day of how lucky I am to be here
Couldn't Break Me
Casey Garner
You lit me like a bottle rocket.
Shot me overhead like a prayer to the sun—
a sacrifice to hazy lilac skies.
And today I am an asteroid
left floating amongst space junk;
bleeding stars from my eyes
as I light a bonfire in the cosmos
with the tinder of all the promises you ever made.
These empty seconds tick in my chest—
one,
two,
three.
Again and again.
Eventually, I find myself between the trees.
Back on solid ground but far from steady,
and I wonder what you would say
if you could see me now.
I wonder if you would be scared
knowing you couldn’t break me,
and neither could the atmosphere
on my way back down.
Sound Up
Alexandrea Scarchilli
Feedback surrounds a lit stage
Reverberations from the bass
Move through the soles of my feet
Liquid roots
Electric air surrounds
Riffs from a guitar—
Travel on highways within my veins
High hat cuts the air
Kisses my brain
​
A flame within blossoms
Rides upon the sound
My lips part,
Feeling the words
The melody
​
I breathe,
Release
The lyrics swirl inside,
Around me
Reaching forward,
Finding ears—
​
I sing
I Don't Know What
to Call This, But
Neither Does The Grass
Alicen Barker
how strange it is
to sit beside
trees with needles
sharp, cones flared
and leaves soft
to think
“Someone pays the taxes here
and that gives them some
wholly human claim to you.”
you can feel blood
burst and slide
down a fingertip
and know
“This quiet moment
speaks volumes above
the din and drama
of daily lives
surrounded by shining screens.”
you let drops of
rain splatter your
skull and flatten your
hair and
you wonder
“Why must we pay for water,
or keep it from the poor,
why do we pollute this
resource once simple and clean?”
you pick up
a flower, feel it
and smell it
and you might
realize
“This exists as much as I do
and yet I may pay it less mind
than the plastic clones on the desk.”
Optophobia:
Fear of Opening
One's Eyes
Alexis Cummings
The fear of falling in love,
locking eyes,
loving everything you see
flaws nor none at all,
To ponder in the life of a movie
is the way we all live.
To love one just by looking at the bud
rather than the stem, leaves, petals all as one.
You never want to give your everything
again.
Loving with no sight is a choice
only he who is worthy may see
even then
will I ever love anyone with my eyes only
No one deserved to know my eyes
in the way you saw them
the sculpture you created
then threw it all away
Could it be worse
The Women
Alexandrea Scarchilli
We are the women.
​
We are the women who take the high road,
The women who never rest.
The women with fire in their bellies,
Hope in their chests.
​
The women who climb to the top,
With a hand out to the people below—
A firm grip on the inspiration we sew.
The women who are tender, kind,
The women who are hardened with time.
​
We are the women who hold up the world,
The ones to tuck it in at night.
We are the women who kiss the stars,
The women who dream in the clouds,
The women who will travel far.
​
The women who reach,
The women who stand.
​
We are the women.
Damseling Dragon
Alexis Cummings
Before I was this “hideous” drink of water,
I yearned for love in the highest places.
For now, it led me here,
loveless, prowling for my prey to lift this curse.
Broken and parted from all,
I don’t know what “it” feels like.
Do I want to feel this,
will I be loved as I am?
OR, remain my alter-ego
in this terrestrial mindset.
Am I viewed as what I am
or what I show myself as?
For now, I’m loveless and alive
in a life that isn’t even mine.
The Morning Of
Kelsie Burnard
Waking up at 8am reminds me of a North Carolina breeze
Of blue eyeshadow and ball gowns
Of the quieter parts of New York
And relatives whose blood you don't want to share
It reminds me of the serotonin you experience
After riding a rollercoaster for the first time and managing to keep your lunch down
As your friend gives you a slight slap on the back and a reassuring laugh
“Now see! Wasn’t that fun?”
No
Well, not entirely yes or no . . .
It’s a grey area with a gold flaked rim
It depends on how the sun hits it
And today it’s hitting my newly bleached blonde hair
Something I wish I didn’t give up a few months back
It reminds me of a simpler time when I didn’t have a car mask
Or a purse mask
Or a glove box safety mask
Or a “Well, what if this one breaks?” mask
It reminds me of when I would get eczema on my hands
If I accidentally touched real leather in a retail store
And how now it’s caused by the lack of anti-aloe sanitizer
Overly excessive hand washing
And sweaty latex-free gloves two sizes too big
But it’s a grey area
Lined with gold flakes
And if I tilt my head at just the right angle . . .
And squint my eyes just enough!
I can make out the lining of last year.
Black Log // White Ash
Kirby Vaillant-White
White ash curls, cracks like dried earth
soft as the folded skin
draped across her sunken cheek.
The white ash peels back, arches, lets go
and slowly falls, breath sliding through lips
silently mouthing words alone.
The black log - veined with Monarch canyons,
rippling with the energy of
a dirty kitchen timer
spun and ticking-
Splits, a knuckle cracking, and its corner sheers away,
caught for a moment,
suspended in smoke,
it slips into a bed of white ash with a spiraling hush,
Dove moths swirling up from evening sweet grass,
as it brushes against her calves; she walks.
And the black log burns
and the canyons carve
its hardened body into gleaming tiles
who pulse and pop and spit with bliss,
sparks upon the soot-stained glass.
And the white ash creeps like moss inverted, across the black log
who sprouted and grew and broke and fell
and left its fellows
and dried and cured and sat and sailed into the glow of bedded embers
where it burned and kept her warm
as she grew cold.
Where it danced and laughed and wept and held you
until we came
into that morning
to fill the pail
with cool white ash.
Sweet, Sweet Summertime
Alexandrea Scarchilli
Citronella dances across the humidity
To meet the mint that grows in steel bins
Weathered from being stored away
Lavender wafts in the breeze
Teasing the rosemary to mingle with the trees
Thyme keeps the beat for the lightning bugs
While the basil always waits for more to drink.
Roses sway in the moonlight,
Watching the tomato and broccoli
Making sure it grows right
Morning glories reach towards the sky
As the begonias take a soft sigh.
Foxglove climbs, wanders and waves
Solar lights twinkle finding a gaze
Bleeding hearts keep their blossoms inside for another season
Why come inside?
Find me a reason
Writer's Block
Hannah Czeladyn
Black as the etched vinyl turns
round and round, his soul reaches
for the soundwaves.
Calluses on his fingertips
await the familiar steel of his
six-string. Tired as the ten
year old blanket on
the back of his couch, he
can’t lift the deadweight
that usually flies across
each lined sheet in his
notebook. No ink graces
the blank pages
in front of him.
Break-up Lines
Caterina Hansen
Fraenum
Alexis Cummings
Your eyes are like the ocean—
Cold, ice-filled.
I drown in them, struggling in the
Boisterous waves.
You’re like a cup of coffee-
Fucking bitter. Hard to like,
Until you curate your personality
To please those around you.
You’re the peanut butter to my jelly,
But I am severely allergic and
Plenty sweet
Without you.
Beginning of the day
much like the end.
Another sunrise to set
in the west.
And here, I’ll be.
Hold me with the
arithmetic pulsation
and crash into me
like the cymbals he used to play.
He then left me be
as I remain by the oak.
Back to the sunset,
lie by my side and
hold me.
And repeat;
Sunrise,
Sunset,
stay.. then leave.
27 Brown Road
Alexandrea Scarchilli
Moscow Mule
Golden sunsets in a
Copper mug
Memories of green fields
Two yellow lines beneath us
Clouds kiss a blue sky
Laying in the middle of
A back road
​
Both as bittersweet as
Ginger,
And lime
Russ
Kirby Vaillant-White
Russ was the name
I told my father to give me
in that dream, before my birth;
as I stood at the end of a distant vacuum
letting light frame me
in his void.
Russ was the boy he couldn’t leave.
So beautiful, he could not put down
or look away from long enough
to see the Barracuda keys.
Heavy, Sticky: in the dish
on the table
by the door.
So exquisite
he wouldn’t forget the smell
of the top of my head, the way
my poplar crown felt against his lips,
the second he pulled in
to whatever bar was down the way
from where he was
when he wasn’t here.
Russ was the boy
who was never broken
by the hands of a man I can’t remember
because your arms were still around me
because you couldn’t leave me
buckled
in my car seat,
didn’t forget where you parked,
didn’t leave in a different car,
our dented red two-door Tacoma revealed by 4am,
the only one left in the dirt lot outside
“Momma’s”
the only joint just out of town.
The Last Time
Susan Stopped
by for Dinner
(Three Pounds)
Cassidy Blomberg
​
**Content Warning: Disordered Eating**
The summer of sixteen,
I was at her house more than mine.
Once, I slept over for three nights straight.
The blue-gray suitcases
holding her sleepless nights—
it took too long to figure out why.
The summers stretched before us
like the lies we told our parents;
these lungs are still aching for breath.
Shotgun didn’t have to be called,
nor did those backseat boys
we used to visit on the Eastside.
Breaking curfew, as teenaged girls do,
we knew Xanax and Merlot
always stood lookout for Susan.
She has long since left that house,
long since washed her hair of the days
she thought lemonade was a meal.
​
But the last time Susan stopped by for dinner,
she said, “Your weight wasn’t an issue
when I decided what you ate.”
Once, I slept over for three nights straight.
I didn’t mention it
when I left three pounds lighter.
Soulmate of the Sea
Hannah Czeladyn
A ringing conch calls her away.
Eyes filled with every wonder
the temperamental seas
had to offer. The mystery in her soul
as deep as the marching waters against
the sand, like soldiers following the Moon’s command.
Darkside
Known-New
Alexandrea Scarchilli
Alexis Cummings
No one would tell you
if you found your way, nor if you lost it.
So how would you know?
Which way is right,
Which way is wrong…
You are supposed to know
To just have it set in stone,
To just completely utterly be aware of.
Be acquainted with the known,
Like you know it’s where you
Need to be.
But how would you ever just
Know you know when it’s the one.
Supposedly, but this is uncharted.
How does one know
When one meets wit's end?
Guess
You just know.
I am not fearful of weathering the storm,
For the lightning and I are friends.
The thunder asks me if I care to dance,
While the rain compliments my elegance.
The puddles part ways beneath my feet,
While the wind and I hold hands.
I twirl with tornados,
Make amends with hurricanes—
The colors that the sky paints across the clouds,
Are the shades and shadows my mind knows so well.
Euphoric Filth // West 107th
Kirby Vaillant-White
It’s always the same, no longer one gap than another between my coveted visits:
A piercing, hair-lashing howl,
a cacophonous tapestry of identity-less dins,
patchworked into a filthy quilt I clutch to myself,
in bliss,
wrapped with rapture.
A Pummeling, Punishing, Pulverizing production performed by
one hundred thousand rotating-door-Romeos,
rolodexed through archetypal roles like:
Ambulance Siren,
Screaming Brake Pads,
and Blaring Airhorn.
It surges deep into the bellies of buildings,
Blasting open doors and slipping,
-from impossible distances-
through windows cracked even the slightest sliver.
This sumptuous gnashing, wailing trail of
break-neck decibels,
cascades across my grinning face
with the grace and majesty of a meat-packing-district-dumpster-fire,
eyes closed,
utterly engulfed in euphoric filth,
punctuated by the profanity hurled by yellow cabs,
as they careen inches from my grubby fingers,
outstretched.
​
I would sit on the seventh-floor apartment’s windowsill seat, my feet resting on their radiator, just listening to It sing, no note repeated but its melody the same; this beautiful riotous racket ringing and ricocheting through the padded walls of my mother’s womb and father’s papoose.
Before they moved away,
And stole me from my City’s scream.
Modern Lovers
The feeling of slipping under the covers, between a fitted sheet and one on top
Alexander Dickey
In her studio apartment, she sits
Staring out the window
While lovers young and old
Dine out at cafes.
She’s wondering,
Where do his intents stow
Or does he have any at all?
He never really looks at me
And I give him so many chances.
I'll never make that mistake again.
In his uptown flat, he sits
On his small open balcony.
An airliner passes quietly above
In the dead of night.
He’s dreading;
Caution never pays off
And everything she wants costs something.
She doesn’t even like me anyway
And I know because she says as much.
I’ll likely make that mistake again.
Alexandrea Scarchilli
If this were a dessert, you'd be the smooth cream filling.
Warm, freshly baked just pulled from an oven,
placed onto the rack - your bed -
to settle, to rest, to cool,
to reach a most pleasurable low.
Caramel; rich, swirling, melts as your muscles do,
a portal beyond the waking world opens up.
Your liquid soul disappears deep down in, content seeps into your bones. You are cream pirouetting in coffee. You are lemonade poured from a pitcher, electric yellow cascading into an old green cup your father stole from the 99, years ago. You are a rain drizzle flying backwards on a windshield going 65 in a 50, leaving the day behind just as the dreamworld does.
Softens outer edges,
fades a bright light to an amber glow,
you melt like a summertime ice cream cone,
dissolve like sugar in hot tea.
This version of you gone like the day you left
as you float up, out,
away into your sleep;
your dreamland.
When the Plane
Falls Down
Broken to Blooming
Austyn Morehouse
Casey Garner
I was consumed by the belief
that you were my twin flame—convinced
that my faith in you was rooted
in the divine and spirit.
Your stardust weaved into pegasus wings
and I was too struck to see you had trapped
me in perfect misery—bewitched
by your leather and lust, candle wax
still burning hot as this twisted love turned
conspiracy theory
right before my hollowing eyes.
What a thing it is—this pack mentality
that has us truly believing our needs lie
only within another.
And now I stand here, breathless
from these silent screams you know I'm heaving.
And now I stand here, breathless and alone,
begging my siren call catches a dreamer.
Longing to be rid of mind games and fall
into an abyss, even if with a stranger.
Barefoot on a tightrope, inches from catastrophe.
These dangerous curves lend hand
to what must be a family curse
because why else would life heed no mercy?
Painted lady—a skeletal system littered
with wildflowers blooming from the ashes
of his aftermath.
You are here, reborn anew, knowing
what you know, having seen
what you have seen.
And even though it still hurts, you are here.
Smiling, living, going on and on and on—
never again to be the same
but all the better for it.
Clouds pull away,
cotton candy underwater.
We leave icicles for new ones,
settling into ice rinks
on the arms, but not the body.
My arms feel under and over,
both exposed.
Pink and orange
grow from the horizon line;
coral reefs of the sky.
Does the submarine know
what it means to drown dry?
I tap along ladder tracks,
silver and surgical.
I tried to sift the rage
from the dust of bones;
surgery unsuccessful.
You can't hurt me
if I’m cut open
and consenting.
Dreams of colliding mourning
cursed by morning,
damaged meaning
fever talks across the page.
I live in infrequent sequence,
push one button before the next,
worn down, bad connection,
cursed controls
instead of haunted pilot,
please apply your oxygen mask
before assisting others,
bursting warning signs,
always turbulent and unprepared,
the part just before you hit the ground,
lights flashing seat belts please:
Honey, I love you, but not me.
I live in fault lines
exploited by catastrophic failure.
He holds my hands
with catastrophic care,
soft sighs and fragile air,
eyes wider than each wingspan
suspending us above icy oceans
resting quite the fall below.
I turn tapping to morse code,
misunderstood SOS.
Do you know what it’s like to drown dry?
Seat belts, please.
Repression // Recall
Kirby Vaillant-White
​
**Content Warning: Sexual Abuse**
Foolhardy Youth
Kelsey Myler
It was a beautiful day
for a festive romp
in that mecca of
pampered privilege
which allowed admittance
to each humble maiden
on one annual eve
of festive solidarity.
My burly palms
could never slide
into dainty gloves
of ivory lace.
My stiff ebony taffeta
lent me the disguise
of a mourning widow.
My companion,
friend in youth
with fiery auburn ringlets
that would curl and crest
like the waves
gracing a sand-dotted beach.
Face pale and silvery
as the pearls around
Her stately neck.
She of many admirers.
I of many novels.
Mama told me
I was sprouting
like the stem
of maroon rosettes.
Forgive my lack
of grace and decorum.
Forgive any chips in
the porcelain doll
I tried to embody.
My face once reddened
like a natural rouge
when I imagined
wearing long ball gowns
and being called Miss
high and mighty lady
someday.
The stuffy socialites used to
implore my merciless temper,
unrelenting Apollyon
to soften.
But you liked it
when I let fly.
While the bow of
a fiddle caressed
the strings, and
princesses pirouetted
in oceans of flouncing fabric,
we danced in tune,
a silhouette under the sheen
of a streetlight.
We had stolen away
from that arduous affair
to sway in solitude.
You loved everything about the woods,
I remember the day
we raced and darted
kicking the dust
which rested on
that smooth road
that sloped so
invitingly.
The temptation
was irresistible.
You picked up
the hat and hairpins
which flew
from my hair,
tied in the
braids you so fancied.
In those days
of foolhardy youth
when I believed
you were a seer,
we dreamt of
the world beyond
the imposing walls
of that lofty attic.
That hollow
where, pen
to parchment, I
wrote in the
stead of living.
I am she
who was crying
on the steps
of that pristine chapel
when you, boyish visionary,
wed my friend of youth,
she of auburn locks
and impeccable manners.
I was terrified of
losing you.
I tried to confess
a love I always denied.
When did our hopes
stop aligning, as
they had in the yore
of youth?
Perhaps the boy
loved that half-savage
revolutionary of his youth,
but the man
loved a woman
prim as a
china aster.
You’ve seen that
world we pictured.
Did the saltwater
of the sea sting
when you frolicked,
chuckling like a child?
Were the iron statues
of that French Eiffel
towering like we always
heard say?
I’m sat on a bench
in the park, remembering
all that was.
Time has made
of me a
creaky relic.
My hair is now
turned up,
my two tails
fell victim to
forced abandon.
I still have those
long limbs which
get so in my way.
My piercing eyes
still sparkle
with a funny and
thoughtful gleam
when my mind
wanders to you.
You have I loved,
and may I love again.
The old man is
sat in the park.
The death of his beloved
and the grief found
at the prospect
brings his mind
to where recollection
cannot not find her,
the earliest days.
Youth makes him
recall that first companion,
that maven determined
to stay in girlhood.
He can see her braids
as they lifted
in those halls
of evergreen.
How he had
loved the woods.
He could feel
the heat her
anger stirred
in a temper of brimstone.
She, he had loved
in foolhardy youth.
When I was a boy
I would escape from them
into my mind,
would talk and act and laugh
and hold myself,
would clean my wounds
with salvaged salt water,
would dream of hands
who held me up, away
from white knuckle clutches.
I would sink into
this place I found,
this state I could return to by
feeling myself feeling, by
imagining one other,
one breathing, feeling, thinking
someone and
when I could feel their Own
I would step out
into the roaring flood of bodies
I knew there to be
just outside of myself.
And I would escape
from my Own
for a second or two,
long enough to feel the greater truth
of our construction,
of our connection,
suspended in the torrent,
nameless.
I would test the confines of
that space,
would try to think myself back
to Oblivion.
But sometimes I’d find
a place that
I would only remember forgetting:
a place where
I wasn’t allowed to go,
a scorched plateau whose hollow visage
echoed with a flavor
that rolled my tongue
towards my throat.
A voice that
wasn’t quite my own
would keep me back,
would keep me safe,
and curl my outstretched fingers back
into a fist
that never managed to
strike the right body.
NO
would roll like thunder, plucking
his memory from my
freshly bloodied palms,
erasing himself from
hands who for just a moment
touched the lid
of a box I couldn’t open.
I woke to a morning
whose hands were turned back,
whose sun was separate from
its dawn.
Besides me sat
a box: familiar, open,
its locks peppering the floor,
strewn amongst the coated clothes and
plastic wrappers.
Its lid, thrown back, revealing
empty space.
​
“Did you used to think about penetration?”
I close the lid, open it again, feel like
something’s missing, someone’s silent.
“It’s all I thought about…”
I close my eyes,
the surface parts,
splits and swallows me into
a pressure that sprays my breath
like blood from a young tongue.
I never left scars they could see,
didn’t do it for attention:
did it to keep
the lid on tight.
​
It’s not until I’ve clawed my way
out of bed
down the stairs
to my car
into the fields
that I begin to panic as
I realize:
I cannot get the locks to click,
the chains have dissolved into
links and
the box won’t close.
​
The box won’t close.
​
I start to hyperventilate
surrounded by rows of arugula and romaine.
“It’s ok baby, it’s ok”
I say it over and over again, alone
as the farm disappears behind streaked glass as
the soil beneath me begins to flicker.
“It’s ok Baby, you’re ok,”
I beg between torn gasps,
muddy hands shaking,
frantically,
desperately trying to
force delicate heads into their labeled bins.
Three layers, four to a column, three to a row…
“It’s ok, It’s ok,
It’s ok,
It’s ok, it’s ok…”
They find me there
amongst the Red Leaf and Green Boston
my burnt eyes unfocused
shivering to the arch
cracked and sure that I was
that I had to and
he could, did,
but then what was
a time to
and
time to
and
They find me there,
miles away,
trying to guide a key
into a
sprung lock
that
refuses to take me
back
to the other side
of knowing.
Testimony of a Tired
College Student
Hannah Czeladyn
A hard pill to swallow is
burnout in college,
‘cause the next assignment
doesn’t wait for
everything else to be
finished. If I had to
guess, there are others
here in this sinking boat with me.
Intense stress can make
jeopardizing a grade seem like a good thing,
knowing our brains need a long vacation.
Looking at the finish line in the distance
makes it all seem bearable,
not thinking too hard about it
of course, or we’ll just see the
plain and simple truth.
Quitting is the easy way out,
rest when we’re dead,
stick with it until the end, putting
trust in the people telling
us all of this crap. The
very plain and simple truth
would surprise those people. The
X marking where the treasure is on
your placemat at Denny’s has a
zero percent chance of getting you your college degree.
Engaged Delay
Kelsie Burnard
Engaged Delay
I bought myself the dupe of my dream wedding ring for my twenty-third birthday,
or what will most likely never be rather . . .
I can’t see me wearing white down any amount of floor tiles.
I can't envision any of the hundreds of pins on my wedding board.
‘For When Some Idiot Marries Me’
I can’t envision anyone getting down on one knee for me . . .
So, I’ve decided to be that idiot.
And I’d like to think that’s what the universe wanted
when the listing showed up on my Poshmark:
same cut,
different “diamond.”
This, certainly, is what healthy people do!
I laughed at my insanity for several minutes before gripping the truth.
Devoting myself to myself should be my first priority.
I lost that while navigating my first healthy relationship this year.
I decided I wouldn’t inform my boyfriend of this insane purchase
because the toxic, vile words from three years ago still seep through my veins into my head
and I find myself judging the shape in the mirror before me more intensely.
He adores all of me in full, unlike the past others, with truth and I--
. . . for once, I am the problem.
Weirdly enough, I love that . . .
I’ll propose to myself on my twenty-third birthday
because the day I was created seems fitting for devotion.
This has been quite an engaged delay . . .
I hope I say yes to loving myself again.